One continuous, slow camera crane around a completely frozen painted tableau. Begin exactly at the first image and finish at the last overhead image. The camera rises smoothly above the woman's shoulder and tilts progressively downward toward the flower-filled basket, ending almost vertically overhead. The basket remains the center of attention while the camera gradually widens enough to include her golden skirt. All people and objects remain motionless in the same world positions: her face, hair, shoulders, arms, hands, fingertips, raised wicker lid, basket, every flower and every fold of the gold satin retain their identity and shape throughout. Her fingertips stay in contact with the same point on the lid. The lid maintains its fixed angle to the basket. Only viewpoint and the natural overlap of solid objects change. Keep the oil-painted texture and original warm lighting stable through the complete shot. A single coherent three-dimensional space, with a gentle beginning and settling into the final overhead view. The flowers keep the contents of the basket concealed.